Molokaʻi Slide, the origin and how it came to be…

In 1988, while visiting Maui, Hawaiʻi, my wife Jodie and I decided to take a boat to visit the Island of Molokaʻi. Boarding a small, and curiously gaudy shuttle boat in the harbor of Lahaina, called the Linn Wa II, we motored out of the harbor to board a larger vessel, The Maui Princess. The trip between northwest Maui, to Molokaʻi, once aboard and underway, takes a little over an hour and is a pleasant experience as you splash your way across the channel in somewhat open waters of the tropical Pacific. 

The Linn Wa II
The Linn Wa II
Jodie, Tad, Alexandra

Once we transferred from the Linn Wa II to the Maui Princess, we found a seat on the upper deck in the morning sunlight and soon, started a conversation a nice young lady from South Africa named Alexandra, who was traveling the world on her own. We all seemed to enjoy each others company, so we decided to hang out with each other while we drove around Molokaʻi to tour and see the island. Once we arrived at the dock at Kaunakakai, Molokaʻi, and after renting a small car, we grabbed some snacks in the town, and started driving east. Seeing a lovely park a few miles out of town, we stopped for a picnic lunch and were sitting and enjoying the vista of the channel of water we had just crossed. As we were eating and relishing the beautiful setting, some locals approached us and explained that they were having a lūʻau later that day on some unique jungle and ocean property outside of town, and invited us to come! They drew a map on a piece of paper and we thought it sounded fun so we told them that we would be there later, after we toured the island a while.

Dock at Molokaʻi
Picnic in Park

 Larry Helm, a well known person on Molokaʻi, had teamed up with some partners and had access to the land where the lūʻau took place. He might have leased it, (I am not sure). He had a vision for giving people wagon rides on a horse drawn buckboard around the property to a site where a local style lūʻau, complete with roasted pig, hula dancers and music was held. They had built a funky grass shack with a little bar and nearby there were several tables to sit at. Also under the thatched roof, there was a slightly elevated small stage made with old wooden pallets for anyone playing music. Much of the eating area was under the spreading arms of a huge mango tree. It was all located on the edge of the jungle where it merged with the golden sands of the beach leading to the edge of the ocean. There were a number of chickens and ducks walking all around the property that added to the fun of it all and I have to say, it was one of the best scenes that I have had the privilege to see in all my travels. We truly felt like we were in some kind of delicious dream. 

Larry Helm, Alexandra, Jodie

This was perhaps the first lūʻau on this property that Larry had put on. It went on for a number of years after we were there as a business that Larry and his friends ran and I understand that it was quite successful. In 1988, this particular gathering, was a requested event.  Larry had been contacted by a family from Chicago (all in blue T-shirts & clothing) who had a family member dying from sclerosis of the liver, who had a dying wish, to be a part of a real lūʻau, not a commercial production like so many hotels put on. Moloka‘i was pretty laid back and less developed in 1988 and somehow, Larry had been recommended as the person who could put together a local style lūʻau for them. I think we were invited just so there would be more people at the event and we just happened to be in the right place at the right time.  

After we explored Molokaʻi for most of the day, we followed the map that finally led us down a dirt road lined with ancient Mango trees, tangled and dense by their old age and mixed with the encroaching jungle growth. In the distance, as we neared the end of the road, the ocean came into view with a small charming grass shack nearby. There were ducks and chickens running all around, smiling hula dancers and music coming from a make shift stage that was built under the large spreading tree. My wife Jodie, and our new found friend, Alexandra, climbed aboard Larry’s buckboard wagon as he introduced himself and were given a small ride.  A local was pulling his boat up on the sandy beach and had fresh fish for the lūʻau. Soon, the air was permeated with the delicious steamy aroma of the roasting pig, which later was dug up, carefully lifted out of the imu (pit) and carried over to be served. All of this was framed by bending palms and the serene ocean waves, hypnotically lapping on the southern shore of Molokaʻi.  

Just a little grass shack

Fresh fish delivered

Pig is done!

Dig up the pig

All the coconuts are free

Blue Shirts

Doin’da Slide

We spent the rest of the day there, talking and exploring around the property and as the evening came, we sang, danced and talked story under the illumination of a magnificent Molokaʻi moon lit night. We felt so blessed to have been a part of this wonderful experience. And just what is the Molokaʻi Slide? It was just some crazy dance that we started doing where I was the head of a conga line weaving around the lūʻau site. 

Hālawa Valley

The song takes shape

This enchanting event inspired the basis of the song, “Molokaʻi Slide”. The very next day, when I returned to Maui, I began putting the song together into its basic composition. When I get a song in my head that I am trying to write, it is like having an ear-worm crawling around my brain, as the parts continually swirl around in my head until I finally start writing it down in some sort of penned form… I was somewhat relieved in a couple of days, because I had finished the song in its rough form and I liked the way it was taking shape.  I have been a musician and a songwriter for much of my life, more or less for my own enjoyment, although, I did get a singer/songwriting contract from Four Star Television in the early 70’s. 

Grass Shack Bar

Moreover though, songwriting has been a way I have captured memorable events that I knew about or took part in, just like someone might take photographs. After a time of reflection and viewing the photos from the memorable lūʻau, I completed the song and recorded a demo of it when I returned home in my own recording facility, Cozydog Recording Studio. I really was pleased with the song and the lyrics in particular as I thought were well done and painted a good picture of the lūʻau. Many of the lyrics were just how I perceived what I was seeing. There was a photo of me kissing my wife Jodie under a bent palm and it evoked the line, “I like the feeling of you on this Paradise Isle.”

Another example was the beautiful smile of Katherine, one of the hula dancers,

”I like the people, I like the way they smile.” Of course, “what you see is what you get, it’s just a little grass shack,” speaks for itself.

What you see is what you get

 I have always been enamoured with the tropics from even my childhood. When I was 13 years old, I visited my Aunt Doris, a creative soul, who lived in San Francisco. I rode the Shasta Daylight Train by myself, for a week long stay with her. Visiting my aunt was a cultural experience and one place she took me to was the Conservatory of Flowers where I was able to walk around in the huge greenhouse and feel like I was deep in the tropics somewhere. When I returned home, my aunt called my parents and told them I was the only child she had ever seen boarding the train with a large potted Split Leaf Philodendron plant as a souvenir! So, fast forward to the lūʻau; for me to suddenly be a part of so many idyllic tropical scenes, it was beyond a beautiful dream!

I sent some of the demo cassettes to several people including Larry Helm, and Katherine Diol, one of the hula dancers who graciously took us to her home after the lūʻau for the night, after we missed the return boat back to Maui.

Natalie Helm, Larry’s daughter, liked the song a lot and introduced it to her school volleyball team and it was soon adopted as the theme song for the team from Molokaʻi. Her cousin, Linsey Crivello, performed the song in the Brown Bags to Stardom statewide contest and after that public performance, Molokaʻi Slide gained a large grassroots popularity. Natalie’s love for the song continued to propel its popularity and very quickly, It became an island favorite. 

Oddly enough, I didn’t know any of this was happening. I never did hear back from Larry and I thought it was strange that he at least did not acknowledge the song. Objectively speaking, I felt really good about it and thought it was both a fun and catchy song. Later on, when we finally were able to communicate, he did say that he had lost my address and thought I lived in Vancouver, Canada… not Vancouver, Washington.

 Tragedy of tragedies

A year later in 1989, in a horrific event, Natalie Helm was killed in an airline accident with many of her team mates and other passengers aboard Aloha Island flight 1712. They were returning from Maui, where they had just won the Maui Interscholastic League title, and earned a spot in the upcoming State Volleyball Tournament. The flight from Kahului Airport on Maui, is only about a 35 minute flight but it never reached Molokaʻi as it crashed on a rugged jungle ridge of Hālawa Valley, taking the lives of all 20 people on board. Truly a sad tragedy.

 The recording by Ehukai

The years past and in late 1996, a local group, Ehukai, came to Larry Helm and asked permission to record Molokaʻi Slide as a memorial to Natalie. At this point in history, I still was not known as the writer of Molokaʻi Slide and I guess Larry had assumed the mantle of the acting “gate keeper” for the song. He gave them permission and Ehukai recorded a good sounding commercial version and dedicated it to Natalie Helm. As I had mentioned, Molokaʻi Slide had already strong grassroots popularity and the recording took off and remained the number one song through much of 1997. Part of the story I never quite got cleared up was that someone (a flight attendant person??) that knew someone at a local radio station, suggested that they start playing the recording by Ehukai because of how “catchy” it was. It was a little different than the usual style of the day and was one of the first songs employing a Jamaican/Hawaiian style that later became known as “Jawaiian.” 

Because of its extreme popularity, Molokaʻi Slide earned the NA HOKU AWARD for Hit Song and Hit Single Of The Year for 1997. Since then, the song has held its ground as a popular song, an oldie but goodie,” and finds itself in regular radio airplay, mall Muzak collections, internet streaming platforms,TikTok and airport tarmac entertainment for those waiting for their flight to take off. 

Besides the popular version by Ehukai, there have been many different recordings and renditions. Every time I hear a different version it brings a smile to my heart as I remember that beautiful moon lit night on Molokaʻi and the fond memories of it all. This comment from my youtube “Molokaʻi Slide Story” says it all;